Color And Composition Of Madrid Autumn Winter Fashion Week

Agatha Ruiz de la Prada color picture

The famous fashion designer Agatha Delaplada (Agatha Ruiz de la Prada) returns to its iconic style in the 2011/2012 autumn and winter series, and everything is in color, color or color.

The series shows different outline types, from super large to loose and smooth, or mini and square, and the choice of dress styles from bell bottoms to swaying half length skirts.

Just like splashing some color on the white canvas, the designer paints with his typical bright colors and heart-shaped clothes.

The fabric is also a typical Agatha style, thick, rich and winding texture.

All fabrics are swayed between wool and flannel, and geometric fur is particularly prominent.

Glimmering is another feature of the series. The sequins depict the designers' self portrait. Light perception comes from stripes, tapestry and even LED lights on tights and Bottomwear.

Devota & Lomba Constructivism

As the chairman of the Spanish Fashion Designers Association (ACME), Modesto Lomba (Modesto Lomba) returns to another way with its typical style.

His style is constructivist and presented in mathematical proportion plus concise choice of color.

A series of tones ranging from dark green to beige, with occasional purple, make the old iconic texture and create a sense of industrial finishing. These fabrics are light but wrapped in body.

Clothing has a smooth appearance, emphasized through decoration, and shows its angular side in almost fierce way. This is the seam of clothing, actually it exists in a hidden way.

Ana Locking color geometry

There are three main sources of inspiration for the latest series of Anna Lorin Ana Locking.

On the one hand, the designers used the color block design, including red, camel, mustard yellow, nude, turquoise, blue, gray and black, with the above two or three color combinations consisting of a dress and a half skirt, showing the geometric shape of the color block, especially the triangle.

The first part of the series has the most sense of structure, which is a continuation of a core 80s style T shape. It reminds people of Eve Szentloran's 2009/2010 autumn and winter series.

The models painted heavy make-up, black eyes and lip gloss, echoing the tailoring elements of architecture and deconstruction.

In the third part of the evening dress, the side Pleated Dress is like the ancient Rome and the Greek wide robe.